J'ai attendu tout le trailer pour voir comment ils allaient traduire le sarcasme en VF... Et ils ont juste viré la scène
Disneyland Paris : déc. 1997/avr. 1998/juil. 1999/avr. 2005/aoû. 2005/oct. 2005/fév. 2006/avr. 2006 - Cast Member 2006-2011 - visites régulières jusqu'à aujourd'hui Walt Disney World Resort : nov. 2008/mai 2011/fév.-mars 2018/sep. 2019/oct. 2022 Disneyland Resort : sep. 2009/mai 2013/nov. 2015/août 2019/déc. 2023 Tokyo Disney Resort : juin 2015/avr. 2016 Hong Kong Disneyland Resort : mars 2016 Shanghai Disney Resort : mai 2016 / juin 2016 / juil. 2016 Disney Cruise Line : mars 2018 (Disney Dream) / sep. 2019 (Disney Fantasy) / oct. 2022 (Disney Wish) / nov. 2023 (Disney Magic) / sep. 2024 (Disney Wonder)
Je trouve les nouvelles affiches du film vraiment sympas. J'aime beaucoup leurs designs colorés, et ça promet une suite captivante, sûrement à la hauteur du premier film.
3 X Anaheim(2014-2018-2022) 1 X Hong Kong(2019) 1 X Shanghai(2019) 1 X Tokyo(2016) 5 X Walt Disney World(2013-2015-2016-2020-2022-2024)
Chances are, you cried while watching Inside Out. Pixar’s 2015 masterpiece is, by its very nature, one of its most emotional works – not least due to its depictions of the emotions in the mind of youngster Riley. As it turns out, being in a Pixar film can be just as moving as watching them – as Maya Hawke found out in her Inside Out 2 audition. For the sequel, Hawke voices Anxiety, one of several new emotions that enters Riley’s head as puberty beckons – and even the process of delivering lines prior to getting the role brought tears to her eyes.
Yes, she cried in the audition. “There’s something about this story and these characters that I think really brings fundamental truths about our experience to the surface,” she explains. “It’s so relatable, so emotional, so pure, that whether you want to or not, you use what you have and what you’ve been through.” By the end of the audition, she was begging to get to play the part. “It was an extremely desperate thing to do, but I think what people are looking for in audition rooms is passion. That it means something to them personally, and they’ll put pieces of themselves into it,” Hawke says.
Right from the first time she laid eyes on the character design for Anxiety, Hawke felt an affinity for her. “She was pitched to me with a picture of her,” she recalls, “and I was like, ‘YES, that’s ME! That’s the Velma Dinkley [of Scooby-Doo fame] part I’ve always dreamed of, with the orange and the skirt and stripes and the teeth!” Zoinks.
The majority of Pixar films are not to be watched without tissues. From the furnace farewell in Toy Story 3, to the ‘Married Life’ sequence in Up, to the ‘Remember Me’ scene in Coco, the studio tends to have one hand placed firmly on your tear-ducts. And that’s not to mention Inside Out, perhaps the most emotionally effective of any Pixar film (and not just because it’s… well, about actual emotions). The ‘death’ of Bing Bong, the first foray through young Riley’s mind, the reconciliation of Joy and Sadness… it’s a non-stop heart-squeezer. And that’s a tough act to follow for this year’s Inside Out 2, following Riley through puberty as a raft of new emotions – chiefly Anxiety, plus Envy, Embarrassment and Ennui – come into play.
According to incoming writer Dave Holstein, the newly-developed ‘Belief System’ in Riley’s mind isn’t just a cool environment for the sequel to explore – it’s going to be “the emotional hit that this movie could give, that the last movie could not.” Grab your tissues. The existential expanse – as seen in the exclusive image above – is the home to all the things Riley fundamentally believes to be true, explains director Kelsey Mann. “Now that Riley’s a teenager, she’s starting to develop her own set of beliefs,” he tells Empire. “What if we actually hear Riley say her beliefs in her own voice? If you hear her say, ‘I’m kind,’ you can hear [in] the performance how she feels about that. Or, ‘My parents are proud of me.’ On the flip-side, if there’s a belief that’s not so good, you can really hear the emotion of it.”
For Holstein – who first encountered the Belief System as an idea that had worked its way out of the film, and was the person to work it back into the narrative – it was an instant winner. “It was beautiful,” he says. “It was just gorgeous. And it made me feel something.” It soon became a core element of Inside Out 2. “Immediately, I was like, ‘There’s something I want to see at the beginning of this movie, and possibly the end of this movie, that tells me what the movie is’,” he recalls. “So it was very inspirational for me.”
The result is set to bring real emotional power in the follow-up to Pete Docter’s landmark original. And Docter himself is “cautiously optimistic” about how well the sequel is faring in its final stages of production. “It’s like Joy and Fear wrestling each other for [the] controls,” he confesses. “Things are just starting to really sparkle. I don’t want to proclaim victory. There’s always the sense of, ‘Am I deluded? Am I the only one who will like this?’ I have no idea.” All you have to do is believe.
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